Articles


Forthcoming

“Taking it to the Street: Screening the Advertising Film in the Weimar Republic.” Screen.

“Le royaume de la terre: technologies de diffusion simultanée et l’émergence du film politique dans l’entre-deux-guerres,” in Représentations de la technologie dans les medias. Ed. Laurent Guido. Lausanne: L’Age d’Homme.

“Cutting through the Archive: Querschnitt-Montage and Images of the World in Weimar Visual Culture.” New German Critique.

“Fidelity, Capture and the Sound Advertisement: Julius Pinschewer and Rudi Klemm’s Die chinesische Nachtigall (1928).” Zeitgeschichte


Published

“The Ambivalence of Ornament. Silhouettes in Print and Film Advertising” Art History 36.4 (September 2013), 784-809.

“Afterthoughts on ‘Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film.’” SCMS website

“Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film.”Cinema Journal 52.4 (2013), 49-73.

“Bewegungskunst (Film and Dance)” Hans Richters Rhythmus 21. Schlüsselfilm der Moderne, 58-73.

“Introduction” (co-authored). Hans Richters Rhythmus 21. Schlüsselfilm der Moderne. Ed. Christoph Bareither, Kurt Beals, Michael Cowan, Paul Dobryden, Karin Fest, Klaus Müller-Richter, Birgit Nemec (Würzburg: Königshausen & Neumann, 2013), 9-19.

“Advertising, Rhythm and the Filmic Avant-Garde in Weimar,” republication of article from October (2010). Rhuthmos. Plateforme internationale et transdisciplinaire de recherche sur les rythmes dans les sciences, les philosophie et les arts (13 February 2013) [http://www.rhuthmos.eu/spip.php?article815]

“Die Regulierung der Energie: Willenskultur und Willenstraining um 1900.” In: Szenarien der Energie. Zur Ästhetik und Wissenschaft des Immateriellen, ed. Barbara Gronau, Bielefeld: transcript-Verlag, 2013: 67-87.

“Rhythm and the Mediation of Modern Experience,” republication from Technology’s Pulse. Essays on Rhythm in German Modernism (2012). Rhuthmos. Plateforme internationale et transdisciplinaire de recherche sur les rythmes dans les sciences, les philosophie et les arts (4 September 2012) [http://www.rhuthmos.eu/spip.php?article679]

“8 June 1986. Harun Farocki’s Wie man sieht Urges New Ways of Seeing.” The New History of German Cinema. Ed. Jennifer Kapczynski. Rochester: Camden House, 2012: 490-497.

“28 March 1935. Premiere of Triumph des Willens Presents Fascism as Unifier of Communal Will.” Co-authored with Kai Sicks. The New History of German Cinema, 255-262.

“Az utca és a lakás között. Az Európa-erőd terének megzavarása Michael Haneke filmjeiben,” trans. Buglya, Zsófia, Metropolis 15 (2011) no. 4. pp. 42–52. (translation of “Between the Street and the Apartment: Disturbing the Spaces of Fortress Europe in Michael Haneke.” Studies in European Cinema (2008)

Interview with Gustav Deutsch, conducted with André Habib, November 2010. Hors champ. Video

“Introduction,” co-authored with Viva Paci and Alanna Thain, Prises de rue, special issue of CiNéMAS on the street in contemporary European cinemas, 21:1 (2011), 7-21.

“Introduction,” co-authored with Laurent Guido, rythmer, rhythmize, special issue of Intermédialités numéro 16 (automne 2010), 9-23.

“Les rythmes du désir filmique: Film ist. a girl & a gun de Gustav Deutsch.” Rythmer, rhythmize, special issue of Intermédialités, 209-217. download

“Wege zu Kraft und Schönheit.” Filmgenres – Sportfilm. Ed. Kai Sicks and Markus Stauff. Stuttgart: Reclam, 2010, 43-47.

“Der weiße Rausch.” Filmgenres – Sportfilm, 62-65

“Moving Picture Puzzles: Training Perception in the Weimar ‘Rebus’ Films.” Screen 51:3 (September 2010), 197-218. Honorable mention, Kovács Essay Award, Society for Cinema and Media Studies.

“Introduction” (co-authored with Barbara Hales). Seminar 46:3 (September 2010). Special Issue: Moving Bodies, Moving Pictures: Dance and Early German Cinema, pp. 189-204

“Rhythm, Advertising and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer’s Kipho film.” October 131 (Winter 2010): 23-50.

“Rethinking the City Symphony after the Age of Industry: Harun Farocki and the ‘City Film‘.” Intermédialités. 11, Special issue: “travailler / Harun Farocki.” Ed. Johanne Lamoureaux, Philippe Despoix, 2009 download

“Wille.” Nietzsche-Lexikon Ed. Christian Niemeyer. Darmstadt: Wissenschaftliche Buchgesellschaft, 2008.

“Between the Street and the Apartment. Disturbing the Spaces of Fortress Europe in Michael Haneke.” Studies in European Cinema 5.2: Special issue: “Film Aesthetics and European Cinema.” Ed. John Davidson, 2008.

“Die Herz-Turbine: Rhythm and Urban Experience in the Lyric of Gerrit Engelke (1890-1918).” The German Quarterly. 81.4 (2008): 424-448.

“The Heart Machine: Rhythm and Body in Weimar Film and Fritz Lang’s Metropolis.” Modernism/modernity. 14:2 (2007), 225-248

“‘Die Tücke des Körpers’: Taming the Nervous Body in Alfred Döblin’sDie Ermordung einer Butterblume and Die Tänzerin und der Leib.”Seminar 43:4 (2007): Special issue “Image, Body, Text,” 482-98.

“Imagining Modernity through the Ear: Rilke’s Aufzeichnungen des Malte Laurids Brigge and the Noise of Modern Life.” Arcadia 46:1 (2006), 124-46. download

“Alfred Kubin et l’art fantastique comme ‘psychographie.’” Les Représentations du corps dans les œuvres fantastiques et de science-fiction. Figures et fantasmes. Ed. Françoise Dupeyron-Lafaye. Paris:Michel Houdiard, 2006: 167-76.

“Nichts ist so sehr zeitgemäß als Willensschwäche: Friedrich Nietzsche and the Psychology of the Will.” Nietzsche-Studien 34 (2005): 48-74.

“‘Gymnastics of the Will’: Abulia and Will Therapy in Modern German Culture.” Kulturpoetik 5:2 (Fall 2005), 169-89 (download pdf, 1.8MB)

“Imagining the Nation through the Energetic Body: The Königssprung” (article on the iconography of leaping bodies in photography and film and extended analysis of the 1925 body culture film Wege zu Kraft und Schönheit). In: Leibhaftige Moderne: 55-74. article here

“Technik, Massenkrieg und Medien: Zur Imagination von Idealkörpern in den zwanziger Jahren.” Co-authored with Kai Sicks. In: Leibhaftige Moderne: 5-21.

“Americanism, Popular Culture and the Primitive around 1900: Johannes V. Jensen’s Madame d’Ora (1904).” Orbis Litterarum 60:2 (2005), 109-32

“Kino und Klanglandschaften im Wiener Prater um 1900.” Prater Kino Welt. Ed. Christian Dewald and Werner Michael Schwarz. Vienna:Filmarchiv Austria 2005: 253-65. (download pdf, 949kb)

“Benjamin, Surrealism and the ‘Secret.’” Echo 3 (2005). Special issue on The Secret/Le secret.

“Spectacle de masse et modernité hystérique dans Mario et le magicien de Thomas Mann.” Etudes Germaniques 59 (2004): 87-107. (download pdf, 1.6MB)

“Theater and Cinema in the ‘Age of Nervousness’: Der Andere by Paul Lindau (1893) and Max Mack (1913)” (article on the first Autorenfilm in Germany, the actor Albert Bassermann and the cinema reform movement). Cinema & Cie 5 (Fall 2004), 65-91.(download pdf, 3MB)

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